After a five year hiatus, Irish band Saso, known best to some as “those guys from the Coors Light advert*” return to their dark musical roots with their fourth album Exitudes.

A slow, languishing album, it never reaches the particular heights that would highlight any one song as a potential single, instead weaving between styles to present an album that is vaguely haunting and supremely powerful.

The first song, Billion Hands is an eerie piano-based hymn featuring echo-y, subdued vocals over a steady drum beat and a muffled, repetitive piano pattern. Its full, mysterious sound trickles nicely in to the next song…

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